Issue 03 Online Library
Here you can read work from our Issue 03 Featured Writers
ATLANTA TSIAOUKKAS
She/Her
The Spinster is a Dyke
The spinster lurks on the margins of popular culture, more poltergeist than person, Miss Havisham in perpetual mourning for a wedding day that never came, Bridget Jones watching her weight pound by pound in hopes that a slimmer waist leads to a better (married) life. Popular culture is repugnant with women threatened with spinsterhood, however, when we look at her more closely, we can find a queer opportunity for reclamation.
Spinsters were a particular issue in the nineteenth century, with too few men for the number of eligible bachelorettes and career opportunities for women taking them away from the home. More and more women were living a life without heterosexual partnership, spinsters abound. Whilst undoubtedly, some women were disappointed that they faced a life devoid of motherhood and wifedom, women who wanted a career and perhaps wanted to evade sexual engagements with men could take advantage of this unprecedented era.
When looking for queer women in Victorian history, look to the spinsters. In scorning marriage and childbearing, in rejecting heterosexual sex and preferring to spend her time with and for women, the spinster is a queer figure who fails to invest in heteronormativity. It is unsurprising, if disappointing, that the spinster has been fashioned by patriarchal media as an ugly stepsister. Here, at least, we have the opportunity to reclaim history and pay our respects to our (possibly) queer ancestors.There can be great pleasure found in identifying, if briefly, the sparks of romantic love between women, evidence that despite the pressures of the world, these queer feelings survive. Regardless of the exact nature of relationships between possibly queer spinsters, they lived their lives for and with other women, and we can find solace in this solidarity.
We cannot know what was said between Charlotte Bronte and Ellen Nussey, their letters charred after Bronte’s death. What Emily Dickinson said about her attraction and affection is ashes now. The pillow talk between women in Boston marriages will never be accessible to us. An endless list of women, known and unknown, whose lovers we cannot trace. But the evidence we have of passionate feeling between women - Jane Addams and Ellen Starr, Virginia Woolf and Vita Sackville-West, Addie Brown and Rebecca Primus, for example - can be cherished by sapphics and dykes as evidence of ancestry, a reminder that you are not the first queer person in your family history, we have always existed.
The spinster has long been a figure of rejection, she has failed to live up to the expectations of the heteronormative world. In rehabilitating her, we find that she is queer and strange, a sister in arms, and I encourage you to reevaluate the spinsters you have seen across media, consider for a moment the secrets she may keep close to her chest.
IG: @aatlanta_aa Web: linktr.ee/aatlanta
V.M. REILLY
They/Them
Asteria
(for C)
In the damp grass, my knees stain
Green and brown, your holy colours.
My voice cracks with hymns to you,
Harmonizing with ruddy foxes and emerald frogs,
Your twilight acolytes. I call your name
Until my throat rasps into silence
And I, voiceless, prostrate at your feet.
My bedroom faces east,
Bathing you in the heady light of daybreak.
On the wooden table outside,
The path of the pilgrim snail glistens,
Thin ribbons of molten silver,
Like the trail of my damp lips, chanting your name
Into the spaces between your ribs.
I close my eyes to your baptism
And open my mouth to your communion,
Savour the crisp wash of white wine across my tongue
As the sun sinks back to indigo,
And you consecrate my body for your temple.
Anoint me your high priestess, ordain me to your service,
My lady of starlight.
IG: @v.m.reilly
C.H. LIEBERMAN
He/Him
Mercury Retrograde
The radio tower is cooking our brains, so they say;
it watches us through red eyes like an alien bug.
We’re in the car park. It’s 6 PM on December 1st. My birthday.
I pick the moss off this wall ‘til my hand goes numb.
I’m surprised the tears don’t freeze on my face.
I ask: “can we go inside yet?”
You answer: “no way.”
Across the road a woman emerges from her porch.
“Yeah, take a good look,” you say.
The amber pinprick of her cigarette swells and dies
and click her nose is briefly silhouetted by her lighter.
We watch her do this ten thousand times.
Even now, love flares in my chest, but
when I look up at the stars, you think I’m rolling my eyes.
IG: @lieberman.christopher
JOY THE POET
They/Them
Dorchan Richter
lived
Till an old old age
Pigeons nested in her handbag
Feeding from the fountain of love she still had to give
No fire could burn her book
No regime stomped on her neck
She survived
She lived a full life
She died an old lady in Bovaria
The memories of her loved ones nested in the handbag of her heart
IG: @joyth3poet
ROOK TILLER-COLLINS
He/Him
Birdsong
The message came to me one day,
one quiet day, as I sat outside the church looking at the bluebells and the wild garlic.
The man took off his cap, diving into his tale,
of a little girl, one village over who said she kept God in a shoebox.
“What shall we do about this sacrilege?”
What shall we do... I thought as I rose, dusting my cassock,
eyes following the path of a bumble bee as it made it’s way behind the young man
to a patch of Celandine.
I sent him off mildly, fetching my cane and setting off into the quiet spring breeze.
The way was easygoing, and I spent much of it listening to the spring birds.
In them there seemed to be all the answers I needed.
The little girl was daughter to a baker, and the bakery was easy enough to find.
I entered, smelling the loaves of the morning, hearing the rustle of brown paper bags
as they were sold. A little girl was indeed sitting behind the counter.
Her face was framed by her dark hair as she watched me enter.
“I’ve heard you have a very important shoebox.”
There was a great hustling and bustling as the adults present recognised me;
Filling the room with offers of refreshments,
of well wishes and fretting and comfortable seating.
The only silent one was the girl,
staring at me out of deep brown eyes,
as deep and as complex as a forest pool.
“May I speak with your daughter outside a moment?”
There was a pause,
the man and woman behind the counter, her parents I presumed, flicked their eyes to
the girl.
“Of course, there’s a bench under the beech tree opposite.”
I went through the doorway with the girl at my heels, following me like a small, silent
animal, perching on the bench to my left.
“Will you let me look inside the box?”
“You won’t believe me, no one does.”
It was the first words she had said to me, her voice quiet against the rustle of the wind.
She held the box towards me, and as I laid my hand upon it the birds in the trees fell
silent.
Something stirred in me, a seed of curiosity as I looked
at the plain brown box,
slightly scuffed along the edge of the lid.
The world seemed to hold it’s breath,
even the breeze died away, stilling the leaves above.
I opened the very corner of the lid, a beam of pure sunlight filling the gap,
the blackbird started up his song from right above me, making me startle as his voice
rushed to meet us.
In fact, all of the birds were singing, all at once,
the old rooks and the crows, the black cap, the dunnock, the yellowhammer and the
wren. Many more joining them, engulfing me and the girl in a sea of cacophonous noise.
The breeze started up strong, almost knocking the box from my hands and succeeding in
knocking my cane to the floor.
The girl reached over and took the box, and the breeze became playful and mild once
more.
The birds sang, but in less of a fervour;
the spell was broken.
I let out a breath I wasn’t aware I was holding, looking at the girl with different eyes,
as she swung her legs off the bench, gazing out over the grass.
I touched her arm very gently, making her turn that intense gaze to me.
“You must take very good care of that box, my dear.”
She nodded her head, reaching down to pick up my cane from where it fell.
On my walk back to the church I listened to the birds once more,
listened to the silence in between the notes,
watched the light play and dance through the leaves and watched the insects and beasts
go this way and that, on their own paths.
Ever since that day, when the blackbird sung his rich, beautiful song,
I thought of those deep brown eyes staring at me.
As deep and as complex as a forest pool.
IG: @rookwanderer Web: kamiwanderer.wixsite.com/rookwanderer
FIN CATTANACH
He/Him
Empathy and Entropy
Is empathy fundamental to us? The question leaves my mind stranded as I walk for miles and miles. My breath curls into the air before my face. A featureless grey sky bleeds an omnipresent hue onto the road.
I’ve tried to sleep. Now I’m here. I try next to distract and forget, but not the music rippling from my earphones, the pointless pings of notifications, or the passing dull-eyed dog walkers can stop the thundering echo of that question.
Is empathy fundamental to us?
Yes. Surely. Children are loved, the elderly venerated, the sick grieved. Stories of parchment, painting, and bone validate that history, from our very first steps.
No. Surely not. The suffering of a hundred billion forgotten names paints our history red. How many of my ancestors were like me? How many lived a life of lies, or died for who they were? Each new generation builds their progress on the bones of the last.
I want to pretend that this question is idle philosophy. But it isn’t. I woke up today, and soaked in bitter news, and listened to the choking heartbeats of strangers as apathy and banality leave them defenceless against hate and cruelty.
Will it be my turn soon? Will I have to crawl back into the dark? How long until I’m staring down the barrel of a gun, the shadow of a noose, or the last march through looming cast-iron gates? I don’t have the sanctity of privilege. I exist so long as other people care enough to stand up for me.
And that requires empathy. And it seems, as my feet thunder along this dirt path, as the cold wrests the warmth from my touch, that empathy is a dwindling candlelight.
Who needs it, in a world where daily hardships of past centuries are fleeting? What matters more now than everyone’s own island? Why make the effort compassion demands when apathy asks for nothing, and hatred promises a false fulfilment?
I realise I’ve stopped walking. I’m standing in a quiet, empty clearing now. The treeline opens on my left, and below sits a valley of fog cut by a lightless river. But I stare down, watching the black water. It roars back a silent alternative.
Time is the only victor. It will decimate my enemies as surely as it decimates me. Yet we will tumble through entropy in a single direction. Forward. We stumble, and struggle, yet still we have always become, stronger and kinder. Hate’s loss is predetermined. The clock ticks on.
If all that forgotten suffering has still led here regardless, then surely, even in twilight, empathy is fundamental to us. I turn around and begin to walk back home.
IG: @fin.j.j.cattanach.writing
HAN NEWTON
She/They
Take the Edge Off
I’m happiest when my edges blur / blend my borders / to warm earth
unmark lines of / temporality and time / unsharp me
take the edge off.
Unconnected without corners / soaring / pour me
to the pavement / into the night /pour me another drink
take the edge off.
October ocean / roars your voice / from raw ears
take the edge off.
Blur me and time / the space between your hand / and mine
take the edge off
take me back / to when the ocean sighed / when the world was not
so sharp and small / I want to fall into you / fall out of love.
So blur my edges / I’m happiest when I can’t / feel the point anymore.
Smudge me into salt / sand and stars / pause jagged thoughts
dazzle me in dullness / I’m not yours
take the edge off.
IG: @han_newton.poet Web: hannewton.com/han-newton
FREYA METCALFE
They/Them
After Work on a Tuesday
Streetlights from a rooftop bar
Behind exposed bulbs
And wine glasses,
Behind brick walls
And ivy,
Below cigarette smoke
And a sun bruised sky,
Light a path home
...
But not yet.
IG: @improbable_rainbow
JASON HALLWARD
He/Him
Dull
The lens I view my father with is thick.
It magnifies every flaw and imperfection in the woodwork of his character,
chipping away at that faultless façade I looked up to as a bright-eyed child-
measured myself against,
as if his eyes were the stadiometer one needed to
surpass to be allowed access to a fairground ride,
me on my tiptoes as my hair brushes against the very minimum needed.
My eyes are dull.
I understand more now,
I never used to be able to comprehend the scowls and the shouts and the screams and the scars,
I didn’t,
couldn’t comprehend the weight thrusted upon my shoulders.
I couldn’t understand how it all meant love.
How could something so violent, so base, so animalistic ever be branded with the word,
even accidently?
They cannot and are not.
It is purposeful when they are.
The very nature of love itself is glass,
Hard, sharp. Breakable,
So easily breakable but not fragile,
it is stronger than the blackest of hearts but is able to be burned, twisted and warped by their heat,
glass in fire conjured a grotesque matter- comprehendible in its form,
but the language stripped of its meaning.
Love is malleable.
Hold love in your hands and you hold transcendence,
Twist love in your hands and find vengeance.
It means nothing.
It is death itself; its primary purpose being the destruction of a generation by its new creation,
To love is to re-enact the very same disobedience of the Tree of Good and Evil,
God loves us and yet sends his people to destroy one another,
We are made from His hands,
We carry pieces of that love, that hatred,
There is no difference.
IG: @jacesanagnorisis
PAUL SOREN
He/They
This Dull Grey Front Room:
23rd May 1988:
We always have tea at five and Mum uses the deep-fat fryer more than the oven. Bubbling with cholesterol laden treats, crispy pancakes, deep-fried chicken, and potatoes in a pool of gravy is my favourite. Vegetables are saved for Sunday.
Once the dishes are done, me and my mum sit down to watch the news at six. As Sue Lawley reads the headlines, there are a few shouts that seem to say, ‘Stop Section 28’. Sue soothes our grey front room by apologising that ‘the studios have been invaded by some people and that we hope to be removing them soon.’ My mum tuts her nausea and the evening blasts into Brookside and Coronation Street.
The next day, the Daily Mail stretches out on my mum’s armchair with headlines reading ‘Beed Man Sits on Lesbian.’ A group of women (the article only refers to them as lesbians) broke into the studio and handcuffed themselves to the newsreader’s desks in protest of Section 28. A new law that came into place today. The Tories have taken their pride in intolerance well above the parapet as they hatch a way to plicate hate and fear as they ban the promotion of homosexuality in schools. Marget Thatcher said that gay people should not feel they have an inalienable right to be gay. I think of the protesters on the news – everything happens in London or somewhere far away. Not down here in Plymouth, on the edge of this battered island.
School is an orchestra of inflated opinions as poof, queer, AIDS spreader and shit stabber are spat at me.
Sports is the worst, pushed around in the shower as Mr Person eggs the boys on. I’m always picked last for sports, my delicate legs and skinny, elongated pale arms standing uncomfortably in shorts and a vest. I’ve been drawing a smiley face on my knee because Debbie Gibson does on the front cover of Out of the Blue. I stand shamed by Mr Person as he calls me a poof in front of all the boys in his tight tracksuit bottoms. The government has given a gift to society, all wrapped up as an inalienable right to bully. I escape into pop magazines, soap operas and spend Sunday nights in my room listening to the charts on the radio and taping my favourite songs so I can drown out the world on my Walkman encrusted ears.
I wish the women who protested on the news would storm this grey dull front room and those legends would take me away to be a pretend family unit like it’s our inalienable right.
IG: @fuzzboxed
NATASHA TAHEEM
She/Her
A Lesbian Love Letter to Khichdi
I came out to myself as a lesbian two years ago & spent most my time running away from Birmingham to escape my family & community.
I would take the train to Leeds, London and Cardiff on rotation, crashing on sofas and surrounding myself with friends who knew me best during a time where I didn’t recognise myself. I fled to Brighton for Pride weekend, greeted by a tumble of rainbow flags, feather boas and sparkles. I felt a comfortable distance from my British Punjabi upbringing in Birmingham.
Enjoying a stroll down the beach, I passed a curry house. Engulfed in an earthy cloud of tadka, Fragrant spices swirled around me followed by a wave of anxiety. I spent the following months avoiding Indian food, it made me feel home sick.
I took myself to sea that evening to daze into the abyss. Salty tears ran down my cheeks and plopped onto the pebble beach. I felt guilty for cutting my parents out. My fear of being rejected by them had pushed me to reject parts of myself. Holding space that encompassed all parts of my being felt impossible.
Growing into my queerness, my appetite for home food crept back. Khichdi was the first dish I started cooking, it’s the kind of bowl food your Badi Mum dishes out to you when you are sick, its the dish my partner requests on a Wednesday night, it’s a hug in a bowl.
Ingredients:
1cup Yellow lentils
1cup rice
5cup water
Sliced garlic
Chilli
crushed black pepper
Turmeric
Cumin seeds
Salt
Veg oilMethod:
In a large pot, add lentils, rice and water, salt and turmeric to taste. Bring to a boil then cook slow and low stirring until creamy. Add less water for a thicker consistency and more for thinner.
For the tadka, in a small pan heat up oil and fry the garlic till golden (careful don’t burn) add cumin and crushed black pepper, followed by chillis (it will foam and sizzle) Pour hot oil into your lentils.
Eat plain or garnish, my twist on this classic is a jammy boiled egg, coriander and pink pickled onion.
IG: @natasha.taheem
BEX DENSLEY
They/Them
you, / slack-jawed and beautiful / too cool for any school / that would ever give me the time
of day / yet I, / against my better judgement, / am falling for you / like the snow surely must / unlike my heart rate / when you walk in / slack-jawed and beautiful / and I -
IG: @notlikethebeer
STEVE CRANFIELD
He/Him
Andrea at Seaham
Prospero’s staff was a wand of command.
He knew the tempest was no adversary,
but a whirlwind of possibility.
The art lay in knowing when to unshackle it,
to steer the long years of learning toward a controlled chaos.
He strides through the salt-stung air, wrapped in storm-grey raiment –
the fabric of confusion woven with threads of vision.
Wind-snarled waves lash the jetty like unanswered questions,
the lighthouse casts a wan beam, probing the world’s unlit corners.
Conjurer of light and shadow, he wields the gale as an artist’s pen;
each gust a brushstroke, each wave a chapter in his endless script.
He summons not spirits but ideas, pulling meaning
from the roar of the ocean and the murmur of pebbles.
What others flee, he welcomes:
the sea and sky entwined in their eternal quarrel.
Reflect on the artist’s paradox:
from the debris, a dream –
every wave an unspoken word,
every swell a secret, carried by the tide.
IG: @steve_cranfield_poet Web: stevecranfield.co.uk